CinematiQ LUT Collection
CinematiQ LUT Collection
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"Designed for creators who want their footage to actually look like a movie." - Tim
Cinematic LUT Collection by CreatorTim
If you’ve ever wondered how I color my videos. This is it a set of cinematic LUTs I’ve refined over time to work seamlessly with Rec.709 footage.
Compatible with DaVinci Resolve, CapCut, Adobe Premiere, Final Cut X, Photoshop, and any other software that utilizes 3D LUTs.
Film-inspired looks built to bring a consistent feel to any kind of footage, whether it's studio lighting, outdoor shooting, landscapes or close-up detail shots. Made to deliver clean skin tones and rich cinematic color without having to spend hours grading your footage.
Join and I’ll send you my Film Grain Pack to give your videos that extra bit of cinema.
What's Included?
- 6 Stylized LUTs for any Rec709 footage (.cube files)
- 1 Stylized One-Tap LUT for any type of footage (.cube file)
- 6 Stylized Film Grain overlays (8MM, 16MM, 35MM)
- FREE BONUS - A 38 minute mini course to help you get the most out of these LUTs
This grading masterclass is specially designed to not only transform your images, but to also give you the knowledge to transform your post-production workflows and deliver fantastic freelance services and outputs to your business or future clients.
🎥 Footage colored with these LUTs has been seen by millions.
Whether it’s content for brands, edits for clients, or on my own page, it’s all built on this same base.
How it works?
Shooting on an iPhone or standard profile?
→ Just apply the Rec.709 LUT, lower the opacity if needed, and fine-tune contrast, highlights, and vibrance to match your style.
Shooting in LOG (C-LOG, SLOG, LOG C…)?
→ First convert to Rec.709, then apply the LUT and finish off the look with subtle adjustments.
So, why use LUTs?
LUTs or Look Up Tables are pre-made color presets that give your footage a consistent, stylized look in seconds. Just apply, tweak it to your taste, and you're done. Quick, simple, looking cinematic, all without the guesswork.
Achieve a consistent look
One of my biggest struggles has always been getting a consistent look across all my content. Still not 100% happy with it, but that’s just me being a bit of a perfectionist
I created these LUTs to fix exactly that. They help me keep the color and contrast consistent no matter the footage. It gives me a clean starting point I can build on to get the look I actually want.
And now you can do the same.
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After
Work smarter, not longer.
If you're editing daily, working on bigger projects, or juggling multiple client videos, you know how fast color grading can eat up your time. These LUTs give you a consistent, cinematic look in seconds so you can focus on the story, not the sliders. No more wasting hours grading every clip from scratch. Just drop it in, tweak a few settings, and move on.
Before
After
While these LUTs are designed to work with any footage, they shine the most if your clips are shot in a flat picture profile (like LOG C, SLOG, or C-LOG) for better dynamic range and more flexibility in color grading.
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After
Grab the collection, plug it into your workflow, and never waste another hour wondering if your grade looks “cinematic enough.
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After
Frequently Asked Questions
Will these LUTs work with my camera?
Yes, the Rec709 LUTs are made to work with any camera, whether you're shooting on iPhone, Sony, Fujifilm, or anything else. Since they’re built on the Rec709 color space, they’ll work with any standard profile.
For the best results, use your camera manufacturer's official Rec709 conversion LUT first. You can usually download it for free from their site.
There’s also a full tutorial included that walks you through how to apply these LUTs step by step, no matter what camera you’re shooting on.
Are there tutorials included?
Yes! You’ll get access to a 45-minute mini course with the LUT pack. I’ll walk you through my full color grading process, the one I’ve built up over the past few years working with video.
I’ve prepped a few clips that we’ll go through together, and I’ll show you some of the unique steps I personally use to really make these LUTs shine.
We’ll go over:
• How to convert your LOG footage to Rec709 (works with any camera)
• How to get the most out of the CinematiQ LUTs
• How to make any LUT work with any type of footage
• Plus a few bonus tweaks to push the look even closer to the real cinema
Do I need an expensive camera to use these?
Not at all. I’ve graded videos shot on iPhones, cheap mirrorless cams, even GoPros with these LUTs. It’s more about the light and your color grading, not the gear.
What if I don’t shoot in LOG?
Totally fine. If you're shooting in a standard color profile (Rec709), you can skip the conversion step and apply the LUT right away. Quick, clean, and ready to go.
Will I get access to any updates to this collection?
Yes! Any updates I make to this collection will be emailed to you for download.